By Erin Campbell
When I saw Elspeth Pratt’s installation, Second Date, at the Vancouver Art Gallery’s offsite location beside the Shangri-la, my immediate desire was to go wade in through the pool of water so I could immerse myself in the environment her work created. Of course, social convention and the friend who agreed to wander downtown with me refused to let me do this. Instead, I examined the work from different angles and tried to access its environment without actually getting my feet wet.
Second Date, 2010, Elspeth Pratt
Tonight Satellite Gallery became part of a building-wide art party at Five Sixty. The two floor space was transformed into a maze of contemporary art, and every room (plus the alley, where Scott Sueme and a friend were spray-painting) was filled with exhibitions from artists working with diverse themes and wildly different work. From Gordon Payne’s “cubo-futurist-surrealist” paintings to florist and up-and-coming artist Thomas Hobbs’ digitally manipulated, found paint-by-number figures, MIX really had something for everyone. On the ground floor a man approached me and asked where the gallery was. For once I had nothing to say except, “Uh, everywhere!”
Posted in Morris and Helen Belkin Art Gallery, Opening Receptions, Photo Essay
Tagged Blanket, Commerical Galleries, Events, Five Sixty, Graffiti Art, Installations, MIX, Opening, Performance Art, Scott Sueme, Shawn Hunt
by Sean Michael Nelson
The blog for Or Gallery’s current off-site exhibition The Unspeakable Compromise of the Portable Work features a post by artist Igor Santizo, wherein a black spot is placed over top of several images. This transposition onto a space radically alters how it is perceived. As I Enter office 202 at 3540 West 41st, the space of the exhibition, I receive a similar impression.
As a co-op student for the Satellite Gallery interested in publication design, I was lucky enough to design an artist’s book/catalogue for our current exhibition, Peter Morin’s Museum.
I had a wonderful experience working with artist Peter Morin, MOA curator Karen Duffek, and manager Karen Benbassat; we put together a publication that incorporated elements of the installation, such as wraparound end-pages that reveal the title of the book, and hand-binding that incorporates the imitation sinew used in Museum’s tent. Tahltan red is seen throughout, and Peter Morin’s handwriting is used in headers, making his written presence felt from the beginning to the end of the publication. Continue reading
Window Display of 4 Intersections / Photo: Ben Lee
Since Satellite Gallery opened its door in late September 2010, a series of events took place to celebrate the birth of this new experimental space. We joined our neighbor, Blanket Gallery, for an opening reception with Instant Coffee’s Light Bar installation on September 29th. The artist collective hosted a successful event that helped introduce us to the public and our grand opening followed on the evening of October 23rd with a performance by Petroglyphs.
Recognizing the importance of experimental art in the history of Vancouver, we had the honor of co-hosting Flakey: The Early Works of Glenn Lewis with the Presentation House Gallery as our inaugurating exhibition. Two of Lewis’ early works, Room Divided and 4 Intersections, were featured in our gallery on separate occassions. Room Divided (1969) was an installation exhibited from September 29th to October 17th and 4 Intersections (1970), a video installation, was shown in a complete state for the first time from October 21st to November 7th. We also hosted our first book launch event on the evening of October 26th with Lewis performing his 16 mm film Forest Industry.
Instant Coffee’s Light Bar Photo: Sherry Lu
Room Divided Photo: Sherry Lu
4 Intersections Photo: Ben Lee
For more information on Flakey: The Early Works of Glenn Lewis, please visit the Presentation House Gallery website