by June Lee
Capture Photography festival is an event that features local and international artists and their accomplishments as the media of photography and documentation. Dana Claxton, a Vancouver based artist, has contributed many of her works including her book Paris June Fourth, Fifth, & Sixth, Two Thousand & Six, which recounts her three day stay in Paris, France. Her book contains 77 black and white photographs taken from Parisian urban life, that investigate issues of gender studies, Western culture fetishes, and the commodification of aboriginal aesthetics in contemporary culture. Continue reading
by Shaina Marie
Grace Schwindt, untitled (2014)
I stepped into the Contemporary Art Gallery and peered through hundreds of ceiling-to-floor silk ribbons that partitioned the gallery space, separating the cinematic and sculptural components of the exhibition. On one half, you are confronted with a feature-length film installation, Only A Free Individual Can Create A Free Society (2014), in which artist Grace Schwindt reflects on her childhood in leftist Germany by interviewing a leftwing activist shaped by 1960s and ’70s politics. Alongside the film installation stands a sculptural piece created from salt crystals, bronze and ceramic, reminiscent of images within the film. Continue reading
by Ellie Chung
Last Thursday night, I rushed to Make studio, located on east 7th avenue where a Vancouver based illustrator from Kazakhstan, Ola Volo’s solo show opening was taking place. Ola Volo is well known for her distinctive artistic style: flattened, highly intricate and decorative images of figures, architecture, domestic commodities, flora and fauna with a variety of elaborate patterns. When I arrived, it was ten minutes to the end of the event. However the atmosphere there was far from closing.
by Ellie Chung
Chocolate Amatller Barcelona tin boxes
Are you familiar with Chocolate Amatller Barcelona? Yes, they make great tasting chocolate, but they are also famous for the elaborate Art Nouveau style illustrations, mostly by Alphonse Mucha, printed on their chocolate tin boxes. In spite of the clear indication where the company is based from its title, Chocolate Amatller Barcelona, it seems to me many people can buy those fancy chocolate tin boxes as souvenir from different countries around the globe. For me, it was my friend’s gift from her stay in Paris. One day I saw a twitter feed saying now Chocolate Amatller Barcelona products are sold in Dubai… Continue reading
by Micaela Kwiatkowski
The element of surprise in the Vancouver Art Gallery’s latest exhibition, Unscrolled: Reframing Tradition in Chinese Contemporary Art caught me off guard. Through mediums ranging from large-scale installation to painting and digital media, Unscrolled juxtaposes the traditional Chinese Art on display in The Forbidden City against a breadth of contemporary art practices. Continue reading
by Jae in Jung
Ross Kelly, 12 12 122 12 12 121, 2011. Inkjet print (detail).
Access Gallery held its Annual Auction fundraiser on Saturday, November 15, 2014. With artworks generously donated by more than 60 local and international artists, some of the proceeds of this fundraiser will go towards the development of Access’ new Traveling Artist Residency, Twenty-three Days at Sea. The residency will enable selected artists to book passage aboard a cargo ship and sail across the Pacific Ocean from Vancouver to Shanghai, China. These artists will be considered“in residence”for the 23 days aboard the vessel. The following interview is with Access Gallery‘s Director/Curator, Kimberly Phillips. Twenty-three Days at Sea will be officially announced through a press release and Call for Submissions in early December, 2014. Continue reading
By Sarah Davidson Arcosanti is best described as a never-realized utopia. Dreamed up by architect Paolo Soleri in 1970, the (self-described) despot imagined a thriving city of 5000 in the middle of the Arizona desert. Soleri’s uncompromising vision doomed his ambitions, but Arcology, Soleri’s benevolent if deeply quixotic philosophy, persists in attracting thousands of visitors and a few dozen transient residents each year.
Posted in Book Review, documentary, Film and Music, International Art, Photo Essay, Popular Culture, Travel
Tagged architecture, Buckminster Fuller, Bucky Dome, desert, earthship, PuSH Festival, tiny home, Utopia, utopian communities