Category Archives: Contemporary Art Gallery

Dault vs. Cézanne

by Jason Smythe

2015-04-30 21.03.00

This article is written from a place of pure joy. Ever since my triumphant return to Vancouver (and by triumphant I mean I survived a year of grad school in Alberta) I have been radiating pure bliss at levels that far exceed the recommended daily dosage. This “toxicity” that I am oozing so willingly can be attributed to the fact that I am no longer reading academic tomes that seem to strive for Saharan levels of dryness, which I suspect is part of a long-standing and incredibly sadistic plot by ivory tower types to make all grad students more boring at parties. Our pain truly is their pleasure. Continue reading

Advertisements

AMOUR FOU: Exposing the Messiness Love

by Shaina Dickson

Angela Washko (Her Longing Eyes) , Brendan Van Hek (Red Composition #1) and Pippilotti Rist (I'm not the Girl Who Misses Much)

Angela Washko (Her Longing Eyes) , Brendan Van Hek (Red Composition #1) and Pippilotti Rist (I’m not the Girl Who Misses Much)

The New Media Gallery in New Westminister opened its latest exhibition, AMOUR FOU, appropriately on Valentines Day. Ten featuring artists take on the daunting task of exposing what love truly is: raunchy, damaging, but something we always fall back to. From flashy video installations and large-scale projections to kinky neon works, this versatile exhibition gives the viewer a sensory overload; the gallery is overflowing with sound and light, which fill the space with the anxious energy that we often feel throughout our affairs with love. Despite the exhibit inhabiting nine individual pieces, I couldn’t help but perceive them as one large, interconnected piece. The lights and sounds emanating from each work overlap and interact with one another: layering and conversing, never allowing the viewer to isolate their experience with one piece. Continue reading

Visual Reconstruction of Ideology and Freedom: Only A Free Individual Can Create A Free Society by Grace Schwindt

by Shaina Marie

Grace Schwindt, untitled, 2014 Silk

Grace Schwindt, untitled  (2014)

I stepped into the Contemporary Art Gallery and peered through hundreds of ceiling-to-floor silk ribbons that partitioned the gallery space, separating the cinematic and sculptural components of the exhibition. On one half, you are confronted with a feature-length film installation, Only A Free Individual Can Create A Free Society (2014), in which artist Grace Schwindt reflects on her childhood in leftist Germany by interviewing a leftwing activist shaped by 1960s and ’70s politics. Alongside the film installation stands a sculptural piece created from salt crystals, bronze and ceramic, reminiscent of images within the film.  Continue reading

23 Days at Sea: Interview with Kimberly Phillips

by Jae in Jung

chile 1

Ross Kelly, 12 12 122 12 12 121, 2011. Inkjet print (detail).

Access Gallery held its Annual Auction fundraiser on Saturday, November 15, 2014. With artworks generously donated by more than 60 local and international artists, some of the proceeds of this fundraiser will go towards the development of Access’ new Traveling Artist Residency, Twenty-three Days at Sea. The residency will enable selected artists to book passage aboard a cargo ship and sail across the Pacific Ocean from Vancouver to Shanghai, China. These artists will be considered“in residence”for the 23 days aboard the vessel. The following interview is with Access Gallery‘s Director/Curator, Kimberly Phillips. Twenty-three Days at Sea will be officially announced through a press release and Call for Submissions in early December, 2014. Continue reading

The Act of Seeing with One’s Own Eyes

by Alex Southey

Ed Atkins, A Primer for Cadavers, 2011 Video still

Ed Atkins, A Primer for Cadavers, 2011 (video still)

The title of this article is also the title of Contemporary Art Gallery’s current exhibition that I just attended. The gallery’s lobby is fairly plain and although BC Binning Gallery one hallway over is as well, it is artistic in itself. Rugs are laid out across a black floor, and the only light in the room comes from the screen consistently showing one video submission after another. There are chairs on the left and right side of the room, and a long couch at the back. Continue reading